Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Giovanni Francesco Barbieri Called Il Guercino
The Vistion of St.Francesca Romana

ID: 29209

Giovanni Francesco Barbieri Called Il Guercino The Vistion of St.Francesca Romana
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Giovanni Francesco Barbieri Called Il Guercino The Vistion of St.Francesca Romana


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Giovanni Francesco Barbieri Called Il Guercino

Cento 1591-Bologna 1666  Related Paintings of Giovanni Francesco Barbieri Called Il Guercino :. | solbad | blessed henry suso | the montefeltro altarpiece | Angelika, von einem Drachen bewacht oder Angelica und Ruggiero | Vase of Flowers |
Related Artists:
HEEM, Cornelis de
Dutch painter (b. 1631, Leiden, d. 1695, Antwerpen). Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father's, particularly in works executed during the decade starting in 1655. Cornelis's still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes,
Jean antoine Watteau
French Rococo Era Painter, 1684-1721 He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
Willem Drost
Dutch Baroque Era Painter, ca.1630-1680 Dutch painter, draughtsman and printmaker, possibly of German origin. According to Houbraken, he was a pupil of Rembrandt, possibly in or shortly before 1650. An early etching signed w drost 1652 is probably a self-portrait, in which Drost portrayed himself as a young man drawing. His earliest dated paintings are two pendants of 1653: the Portrait of a Man (New York, Met.) and the Portrait of a Woman .






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